Collaborator Feature: Connie Wohn

Connie Wohn is a Portland-based event producer and self-proclaimed “First Lady of Hustle.” We couldn’t agree more. Connie has produced events for giants like Ace Hotel, Adidas, MusicFest NW, Weiden+Kennedy, Levis, and more. The Artisans Cup would surely not be happening without her expertise in handling the complex logistics and relationships involved in an event of this scale, and we’re eternally grateful to have her on our team. We asked her to share some of her background, and how bonsai has influenced her both professionally and personally. Here’s what she had to say.

What do you do?
Concept & produce large scale events for cultural brands. From private dinners to music festivals. 

How did you get started?
Via the music industry. I was a booking agent, PR agent, did music licensing. Events where a natural next step. 

What excites you most about The Artisans Cup?
The uniqueness of the story. The opportunity to expose people to a new art form and culture. 

What initially drew you to The Artisans Cup? What made you want to partner with us?
The DeSpains are amazing creatives & the opportunity to work with them was exciting. Upon meeting Chelsea & Ryan it was clear that the team was full of bright, capable and creative folks. It was a no brainer when all the right elements are in place. 

Who has had the biggest influence in your career (living or dead)?
My father. His professionalism and work ethic have paved my path. 

Tell me about your creative process.
Often I need to exercise to create solutions. It’s being in my body and not in my head that lets things flow. Also, lots of nature. Turning off is a great ignitor for me. 

Where do you find inspiration?
Nature. Books. All around really. 

Does your work often involve collaboration? What’s your perspective on collaboration?
Yes, I believe collaboration is one of the main strengths in creating something great. Input, perspective and dialog are elemental. 

Have the principles of the art of Bonsai influenced you since working with The Artisans Cup? How?
Yes. More peace and a slower pace. Intention has become highlighted.

See more of Connie’s work

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Collaborator: ADX Fabrication Team

One of the greatest strengths that allows The Artisans Cup to exist is the team of people who contribute their skills and creative perspective to make the vision take form. Among those teammembers are the folks at ADX who are contributing to the fabrication of the event space. ADX is a shared creative space where people bring together tools, knowledge and experience to create excellent work. We chatted with them about their contribution to The Artisans Cup. 

Why did ADX want to work on The Artisans Cup project?
We were excited for to work on the displays for The Artisans Cup project because the event struck us as an experience that could be unique for Portlanders.  Plus, the team at Bonsai Mirai are top-notch folks, and we always love working with great collaborators.

Bonsai is…
...simply beautiful!

Why are you excited to come see The Artisans Cup bonsai exhibition?
ADX loves craftsmanship of all kinds.  We are excited to see a testament to the care and craft of these remarkable artisans in our city!

In addition to the displays we're working with the ADX Fabrication team to create beautiful signage structures for the exhibition space. Come see the work come to life at The Artisans Cup, September 25–27, 2015. Buy Tickets.

Collaborator: Chris Hornbecker

Chris Hornbecker is an award-winning photographer specializing in environments, portraiture, and sports for clients such as Nike, Eddie Bauer, Pendleton, Time Magazine,  Adidas, and the Portland Timbers. He has travelled all over the world shooting everything from pro athletes to everyday people to empty parking garages. Chris was the first person who came to our minds when looking for a photographer that would perfectly capture bonsai as a true art form, and we’re excited to have him along with us for the ride. We sat down with him to ask a few questions about his background and how bonsai has influenced what he does. Here’s what he had to say.

What do you do?
As a photographer, I am driven by my passion to capture those small fleeting moments that have a kernel of honesty.  It’s that feeling that you get when you recognize something about a person or place and are able to capture. A little connection that draws you in for a closer look. It's these moments of enhanced reality as seen through a different lens that drew me into photography. 

How did you get started?
I've always found ways to bring my creative outlook to the things that I do in life.  It's your creative fingerprint that you put on whatever you do. I started with photography in high school and then focused on making skateboard videos, skateboarding, DJing and art. It wasn't until later in life that I discovered how to turn that passion into a profession in the photography industry. I stumbled into photo assisting in 1998 and worked on learning as much about photography as I could before starting to shoot full time. 

What excites you most about The Artisans Cup?
For me creativity is a way to remix ideas. I see the artisan cup as a way to remix people’s notions about what bonsai is.  It represents a way to bring together craftsman and showcase their unique perspectives on presentation. It shows that you don't have to live within a boxed set of notions and that you can grow beyond and to wherever your mind wants to take things. 

What initially drew you to The Artisans Cup? What made you want to partner with us?
I met Ryan Neil and was instantly taken by his craft, his approach to his craft, his dedication, his patience, and passion that he has for not only bonsai but art and the processes of getting there.  I've always been attracted to shapes and forms and here was a chance to stop, study, and immerse myself in these beautiful living sculptures. When they asked me to help on this project there was no hesitation in jumping on board. 

Who has had the biggest influence in your career (living or dead)?
For me, I see influence as the collective whole. I take little bits from everything I see, the good and the bad.  Beautiful composition taken from an inspirational image or even something from a really bad image, then taking a little nugget of lighting or posture or emotion.  There's inspiration in all of it.  Getting to see Mark Gonzolas skate in person, walking around giant chunks of ice on the black sand beach in Jökulsárlón Iceland, Nadav Kander, Richard Avedon, Hiroshi Sugimoto, Gregory Crewdson, Christo and Jeanne-Claude to name a few.  But I would say skateboarding has probably the biggest influence.  It taught me the subtle nuances of how each person does the same trick in their own way.  The dedication and the amount of practice to achieve that goal. It's a combination of the technical, the artistic, and the energy that’s all put into the one moment of doing a trick solely for the sake of doing that trick and nothing more.  It's like life.  It comes and it goes in the blink of an eye.  So stop, take a look, and enjoy it. 

Tell me about your creative process.
I take an idea and I try to see it from different angles and approaches and assess the overall feel. I spend a lot of time revisiting ideas, slowly changing and refining them over time. I keep an ongoing list of ideas that keep getting rearranged and slowly developed.  I go over the shoot in my head and try to visualize all of the details: how does the lighting feel, what would it look like in these other environments?  I'm always looking for ways to merge several different ideas into one shot. It boils down to the remix.  Everything has been done before so how do I take those same elements and mix them up?

Where do you find inspiration?
Inspiration comes in many forms for me.  It's in the subtle things that people walk by every day and never notice. Trying to find a different angle on the familiar subject. It's the intuition to follow a certain path just to see what's there.   A lot of times I glance and think I see something, then upon closer inspection it's not what I thought I saw at all, but it inspires an idea, shape or technique.

Does your work often involve collaboration? What’s your perspective on collaboration?
I really like what collaboration with other people brings to the table.  A lot of times there's a simple solution right in front of you that someone from a completely different background might see right away.  I like the bouncing back-and-forth of ideas as a way to evolve what's behind the idea and elevate the project on the whole. 

Have the principles of the art of Bonsai influenced you since working with The Artisans Cup? How?
It's given me a greater appreciation for "time" and how that is such a huge part of the creative process that doesn't always get the attention it needs or deserves. In this fast-paced world we forget that it takes time for the ideas to grow and cultivate. 

See more of Chris’ work

Follow Chris on Instagram